Black Logo Head 2.0.png

Who Dis?

Bryant “BeMo” Brown

Washington DC cultural analyst, event producer, curator, podcast producer, podcast network president, Underground Architect

 

BeMo
Washington, DC

Tel. +1 434 879 7365
E.  BeMo@bemoauthentic.com

Creed:

“He was Black in a way that it’s hard for us to recognize that people ever had to be Black.” - Richard Bruce Nugent.

Using the academic frameworks of Africana Studies, Radical Racelessnes, Afro-Futurism, Afro-Pessimism, and Critical Race Theory, Bryant “BeMo” Brown yields cultural analysis curious enough to question nuance and objectively generate educated conclusions. With a focus on Black Humanities and Peer-Reviewed Research, “BeMo” combines his degrees from Howard University with passionate oration and expansive immersion in Blackness to track culture and trends occurring in Black culture. As the New Blueprint Braintrust’s founding Culture Analyst, Bryant transforms impartial data into honest narratives.


Hi! I’m BeMo. Here’s my Bio

Bryant "BeMo" Brown is a producer, curator, and broadcast journalist. From producing large festivals like the DC Funk Parade and PBR’s Flower Bomb Festival to curating intimate and sophisticated events like Urbane and Parlor-styled discussions, BeMo has keenly understood the DC creative industry. Bryant recognizes engagement patterns as it pertains to providing high-quality events often featuring emerging talent based in DC. You can hear Bryant hosting the “Wake N Bake With BeMo” podcast, a live morning show analyzing patterns in Black culture.

Bryant is hard at work transforming content from his Iive-produced shows into permanent media including albums, podcasts, cassettes, and web series. In addition, Bryant has the talent to use his expertise to create revenue streams for various artists. He recognizes that as the DC creative industry is growing, DC can not spare another second as the call of other cities’ creative industries grows louder. As such, Bryant has provided opportunities for DC-based artists to establish themselves as headliners for larger opportunities in DC and nationally.

In DC's creative industry, several artists have grown beyond the hobbyist nature of open mics but have yet to catch their big break. Bryant has done a phenomenal job of recognizing these talented individuals, providing sophisticated and worthwhile opportunities while protecting the legacy of DC culture. The creative space that Bryant occupies is not glamorous or subsidized by guarantees but BeMo is brave enough to risk his success for the betterment of the creative industry.